Westlake, Donald E.


Author Rating: A+

Hard crime thrillers written by Donald E. Westlake under the pseudonym (Richard Stark.” All are recommended. Those I have read are so indicated.

* The Hunter (read 7/10/09)

Holy smokes! The Hunter (1962) was Westlake’s first hard crime novel published under the pseudonym Richard Stark and is the first of many featuring thief and all-around tough guy Parker. It was made into a movie in 1967 titled Point Blank, directed by John Boorman and starring Lee Marvin, Angie Dickinson and Keenan Wynn which I haven’t yet watched, but the book is brilliantly done, full of action and suspense. The Parker novels written in the ’90s are not nearly as violent and corpse-strewn as the early ones from the ’60s.

Mal Resnick, one of the guys working a heist with Parker, pulls a double-cross and steals Parker’s woman, leaving him for dead, so Parker has to make things right.

* The Man With the Getaway Face (read 7/12/09)

Picks up where The Hunter left off. Parker has had plastic surgery to make him unrecognizable but the Mob — calling themselves “The Outfit,” have tracked him down and set a hitman on him. Having earlier lost the recovered $45,000 stolen by Resnick in The Hunter, Parker agrees to take part in an armored-car heist. While setting up and executing the heist, Parker has to deal with Stubbs, the former chauffeur of the doctor who gave Parker a new face, who is looking for which of the doctor’s last four patients killed him, as well as work around another double-cross by one of his companions.

* The Outfit (read 7/14/09)

The third Parker novel, published in 1963, picks up where we left off in The Man With The Getaway Face. The heist a success and the doctor’s murderer found and dealt with, Parker turns his sights back to The Outfit. Parker is David to The Outfit’s Goliath and pulls out all the stops to force them to lay off him. Parker is implacable and inexorable.

* The Mourner

* The Score (Parker and Grofield) (read 8/09)

* The Jugger (read 8/09)

* The Seventh

* The Handle (Parker and Grofield)

* The Damsel (Grofield)

* The Rare Coin Score

* The Green Eagle Score (read 8/09)

* The Dame (Grofield) (read 8/09)

* The Black Ice Score (read 8/09)

* The Sour Lemon Score

* Deadly Edge

* The Blackbird (Grofield)

* Slayground (read 8/09)

Parker and some of his pals, including Grofield, heist an armored car but run into some trouble as they’re getting away. Parker winds up in a closed amusement park with the bag of money and a bunch of mobsters and cops who want him dead. After leading his pursuers on a chase through the park, he gets away but has to leave the money hidden in a fun house.

* Lemons Never Lie (Grofield) (read 8/08)

* Plunder Squad

* Butcher’s Moon (Parker and Grofield) (read 11/8/09)

This is the last Parker novel (published in 1974) until 1997 when Westlake revived Richard Stark for another run, and it is phenomenal!

You don’t want to piss off Parker, or steal from him. Parker goes back to the amusement park where he left the loot in Slayground but it’s not there, so he pays a visit to the top mobster in town and tells him to give it back. Lozini says he doesn’t have it but Parker knows someone in the organization took it and uncovers a scheme to unseat Lozini which has been partly funded with Parker’s loot. When the mobsters refuse to give him his money and shoot Grofield in a double-cross, Parker calls in some of his pals for a night of mayhem in which five or six mob businesses are robbed. The $250,000 take is the payoff for the gang assisting Parker in rescuing the badly injured Grofield who is being kept alive as a bargaining chip and teaching the mobsters a lesson they will never forget.

This is Westlake at his best.

* Comeback (read 8/08)

* Backflash (read 8/08)

* Flashfire (read 8/08)

* Firebreak (read 8/08)

* Breakout

* Nobody Runs Forever (read 8/08)

* Ask The Parrot

* Dirty Money (read 5/5/09)

The money has already been stolen (Nobody Runs Forever) but it’s very hot and Parker and his crew have to retrieve it from the location where it was hidden and try to unload it. This is the last Parker novel as Donald E. Westlake died December 31, 2008.

For excellent coverage of the novels of Richard Stark, be sure to visit The Violent World of Parker.

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University of Chicago Press is reprinting Donald E. Westlake’s Parker novels, originally published under the pseudonym Richard Stark. So far they include:

* Handle: A Parker Novel
* Hunter: A Parker Novel
* Jugger: A Parker Novel
* Man with the Getaway Face: A Parker Novel
* Mourner: A Parker Novel
* Outfit: A Parker Novel
* Rare Coin Score: A Parker Novel
* Score: A Parker Novel
* Seventh: A Parker Novel

The last three in this list have just been released, with more to follow.

Author Rating: A+

Crime thrillers written by Donald E. Westlake under the pseudonym “Tucker Coe.”

Kinds of Love, Kinds of Death (Read 3/26/08)

Published in 1966, a 2000 paperback re-release includes a terrific introduction by Donald E. Westlake wherein he provides background on what he was up to with his use of pseudonyms and his explorations and influences. Essentially, he was writing at such a volume that it was necessary to publish under different names in order to not over-saturate the market.

That said, this crime novel is another example of Westlake’s excellent control of pacing, description and story line. He is spare but rich and maintains strong coherence and plausibility.

Kinds of Love, Kinds of Death is the first of five involving the protagonist Mitchell Tobin, a former NY cop busted from the force when his partner was killed while Tobin was dallying during working hours and extra-maritally with the girlfriend of a criminal he helped arrest and put away for an extended prison stay. Tobin is hired by a mob guy to find out who killed his mistress.

As Westlake points out in his introduction, this was somewhat of a departure in that it is more in the nature of a mystery rather than a crime novel.

The books here are those Westlake published under his own name. I have separate posts for books published under the pseudonyms “Richard Stark” and “Tucker Coe.”

There are multiple categories of novels written by Westlake under his own name. Comic crime capers involving John Dortmunder, non-Dortmunder comic crime capers, stories which I will call “non-crime” even though many of them do involve some kind of crime, and crime adventures.

Author Rating: A+

* * *

Westlake’s Dortmunder is a small-time burglar for whom life presents a series of opportunities which rarely work out. The Dortmunder stories are wonderfully complex comic crime capers that will keep you laughing and gasping and turning the page.

The Hot Rock (read 7/07)

Westlake’s first crime caper starring John Dortmunder. Originally conceived as a Parker novel (see Richard Stark), the plot involves stealing the same object — an emerald — over and over and over. Wonderful hard-boiled style.

Don’t Ask (read 9/11/07)

Similar to The Hot Rock in being an “international” heist but a little more sophisticated. The ending is timed perfectly.

Good Behavior (read 11/15/07)

Dortmunder and his crew have to rescue a num from the tower where her father is keeping her prisoner, pull off a heist of multiple jewelers at once, fight off unexpected armed mercenaries. It’s a good thing the Silent Sisters of Saint Filumena are there to help!

What’s the Worst That Could Happen? (read 11/19/07)

Dortmunder’s ring is boosted by a corporate baron, Max Fairbanks, who busts him robbing his Long Island mansion and Dortmunder has to get it back. This delightful romp goes from Long Island to Manhattan to Washington DC. Fairbanks lives to regret his humiliation of John Dortmunder, the ring is recovered. A rare success story involving Dortmunder.

Bad News (read 11/21/08)

Andy Kelp gets a gig digging up a body and reburying it in an occupied plot in a NY cemetery and asks his friend Dortmunder to assist with the reburying and disposal of the plot’s occupant. The group who hired Kelp are trying to pull a fast one and have “Little Feather” declared the last remaining member of a NY Indian tribe to claim a one-third share in a reservation casino. Things work out — sort of.

Why Me? (read 3/25/08)

In The Hot Rock, Dortmunder couldn’t get hold of a valuable jewel no matter how ingenious the plan. In Why Me?, Dortmunder has to figure out how to get rid of a similarly valuable jewel.

While burgling a small jewelry store, Dortmunder accidentally steals a valuable ruby and sapphire ring that had been stolen before it could be returned to Turkey. There is a shake down of every known criminal in New York as a result of the ring’s original theft and Dortmunder has not only the NYPD and the FBI after him but every known criminal in New York is mad at him too. Dortmunder has to evade the police, the Feds, some terrorists and the entire criminal element of New York while figuring out how to get rid of the ring.

Watch Your Back! (read 4/14/08)

Only Westlake can repeat a premise like robbing a Manhattan penthouse multiple times and keep each one fresh and breezy as a spring morning. While Dortmunder and his gang are organizing and executing a heist, the son of a New Jersey mob boss is screwing with OJ’s Bar and Grill, the gang’s favorite meeting place. The gang lose the battle (the loot) but win the war (the loot-laden mobsters are picked up by police).

Drowned Hopes (read 6/8/08)

An old pal of Dortmunder’s comes to him with a request to help him recover $700,000 hidden decades earlier after a bank heist. The problem is the location where the money was hidden is now underwater in an upper New York state reservoir.

Published in 1990.

What’s So Funny? (read 9/12/08)

Dortmunder and the gang are pressed into hijacking a solid gold chess set. Unfortunately, just as they’re about to get paid the chess set is stolen and once again the hard-luck gang is out of luck.

Jimmy The Kid (read 12/20/08)

Using one of Westlake’s Parker novels as a template for their plan, Dortmunder and the gang go into kidnapping for ransom with hilarious results.

Bank Shot (read 2/09)

Dortmunder and crew don’t just rob the bank, they steal the whole bank.

Nobody’s Perfect (read 4/19/09)

First published in 1977, this misadventure begins when Dortmunder is railroaded into stealing a painting so the owner can collect the insurance but it gets lost. Unfortunately for Dortmunder, the painting winds up in Scotland, so this is now an international misadventure. Great stuff.

Thieves Dozen (read 4/21/10)

Twelve short stories featuring everybody’s favorite criminal — John Dortmunder. These are truly some of the most delightful short stories you’ll find anywhere. A must read.

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The following are non-Dortmunder comic crime capers

Trust Me On This (read 11/23/07)

A wonderful murder mystery romp set in the underworld of tabloid journalism. In his forward to this novel, Westlake disclaims the existence of an actual paper like the Weekly Galaxy and suggests that should such a paper actually exist it would involve people “even more lost to all considerations of truth, taste . . . or any shred of common humanity.”

Baby, Would I Lie? (read 8/11/07)

Westlake and his readers Trust Me On This so much, he takes us on a second trip with the folks from the Weekly Galaxy, this one set in Branson, Missouri. Hilarious, fast-paced satire involving country western stars and their fans.

The Busy Body (read 7/26/08)

A romp in the underworld. Aloysius Engel becomes righthand man to the local chief, Nick Rovito, and tasked with recovering a suit lined with uncut heroin in which Charle Brody was buried. But Charlie’s body is not in the grave and Engle has to find the suit.

Wonderful pacing, masterful use of language puts you right in the middle of it. Published in 1966.

Money For Nothing (read 2/11/08)

This one has spies. Josh Redmont received $1000 monthly for seven years. He didn’t know where the money was coming from but he wasn’t about to ask questions until one day he finds himself in the middle of — and the potential fall guy for — a political murder.

Great characters, great pacing, with Westlake’s first-class comic flare.

Help I’m Being Held Prisoner (read 8/24/07)

Harry Kunt (pronounced “Koont”), as a defense against a world in which his very name is a practical joke, is a lifetime practical joker, but when one of his better jokes misfires, he ends him up in a maximum security prison. He stumbles across a group of fellow prisoners who have worked out a way to continue life on the outside while serving their sentences and invite him to join them. Things would be great but someone is hiding messages in stuff leaving the prison which say “Help, I’m being held prisoner,” and the warden blames Kunt for the trouble this is causing him.

Put A Lid On It (read 10/21/07)

Sitting in jail in the Manhattan Correctional Center, denied parole and stoically awaiting sentencing, Meehan (a one-name kind of guy) is surprised with a chance to escape his fate with an offer from a clandestinely dispatched representative of the president’s reelection campaign. Meehan just has to steal an incriminating videotape from the upstate-New York estate of a wacko millionaire before time runs out.

God Save The Mark (read 9/10/08)

From a review at Amazon:

* mark n. An easy victim; a ready subject for the practices of a confidence man, thief, beggar, etc.; a sucker.-Dictionary of American Slang, Thomas Y. Crowell Co., 1960

That’s the long definition of a mark. But there’s a shorter one. It goes:

* mark n. Fred Fitch

What, you ask, is a Fred Fitch? Well, for one thing, Fred Fitch is the man with the most extensive collection of fake receipts, phony bills of sale, and counterfeit sweepstakes tickets in the Western Hemisphere, and possibly in the entire world. For another thing, Fred Fitch may be the only New York City resident in the twentieth century to buy a money machine. When Barnum said, “There’s one born every minute, and two to take him,” he didn’t know about Fred Fitch; when Fred Fitch was born, there were two million to take him.

Every itinerant grifter, hypester, bunk artist, short-conner, amuser, shearer, short-changer, green-goods worker, pennyweighter, ring dropper, and yentzer to hit New York City considers his trip incomplete until he’s also hit Fred Fitch. He’s sort of the con-man’s version of Go: Pass Fred Fitch, collect two hundred dollars, and move on.

What happens to Fred Fitch when his long-lost Uncle Matt dies and leaves Fred three hundred thousand dollars shouldn’t happen to the ball in a pinball machine. Fred Fitch with three hundred thousand dollars is like a mouse with a sack of catnip: He’s likely to attract the wrong kind of attention.

Add to this the fact that Uncle Matt was murdered, by person or persons unknown, and that someone now seems determined to murder Fred as well, mix in two daffily charming beauties of totally different types, and you have a perfect setup for the busiest fictional hero since the well-known one-armed paperhanger. As Fred Fitch careers across the New York City landscape-and sometimes skyline-in his meetings with cops, con men, beautiful girls, and (maybe) murderers, he takes on some of the loonier aspects of a Dante without a Virgil. Take one part comedy and one part suspense and shake well-mostly with laughter.

Somebody Owes Me Money (read 1/09)

Published in 1969, Westlake proves again that he is a writer for the ages. There is nothing dated about either the story or the writing. Chet Conway, a New York City cabbie, gets a tip on a horse, but when he goes to collect on the long-shot, he finds his bookie has been killed with a bullet, and too many people think Chet pulled the trigger. Chet just wants his money! Another delightful Westlake romp.

The Fugitive Pigeon (read 2/09)

Click the link to read my stand-alone review of this hilarious crime caper published in 1965.

* * *

From here down is still a work in progress in terms of organizing.

Adios Scheherezade (a writer’s nervous breakdown)

The Ax (dark crime – midlife crisis gone wrong)

Up Your Banners (1960s)

Anarchaos (sci-fi)

The Hook (dark crime — another writer’s breakdown)

Killy is a story about union busting and has a similar flavor to Dashiell Hammett’s Red Harvest. (Read 5/09)

Kahawa (crime adventure)

Humans (adventure/mystery)

High Adventure (crime adventure)

361 (hard crime)

Sacred Monster (Hollywood crime)

Published in 1989, this is the least believable and most dated of Westlakes’ books. I would recommend this only to real fans of Westlake. He had a difficult relationship with Hollywood during various attempts to bring his novels to the big screen, and this seems more like demon exorcism than anything else. The central character is a Hollywood star with a dark past that finally catches up with him. More psychological than action.

A Likely Story (read 5/12/09)

First published in 1984, this is not a crime story, unless you consider philandering to be criminal activity. Thomas Diskant is a writer with a complicated personal life, including a wife from whom he is separated, a girlfriend with whom he lives and an editor with whom he begins an affair in order to get a book through publication in order to keep things afloat. The first third of the book felt stilted, dated and somewhat meandering, but by the time I got to the halfway point the story proved to have legs. It’s a story about coming to terms with life.

Two Much (read 6/12/09)

This book is really incredible. Two Much, published in 1975, is about man’s drive to come out on top. Art Dodge, owner of a very small greeting card company in New York City, is a funny guy who loves to fool around and will do or say just about anything to get a woman in bed. When he meets Liz Kerner and she tells him she has a twin, he unthinkingly pipes up, “I do too!” It turns out that Liz and Betty are not only good looking young women, they are very wealthy recent orphans.

Unable to tell Liz that he was lying about having a twin, Art is forced to produce “Bart” who begins dating Betty. The charade becomes more and more complicated as the relationships between Art and Liz, “Bart” and Betty progress.

What ultimately happens is shocking. This is Westlake at his best.

Two Much (read October 2009)

A collection of 18 short stories that Westlake selected as his best non-series short fiction written between 1958 and 1997. One gem after another.

The Comedy Is Finished (read 8/25/2017)

Westlake’s final lost novel (that we know of, after Memory, published in 2010), written in the late ’70s/early ’80s, according to the Publisher’s Note, was set aside and never submitted for publication “in part because Martin Scorsese had just released the movie The King of Comedy and Don thought some readers might find the movie’s premise and the book’s were too similar.” I’ve never seen the movie, so I can’t speak to that, but this novel is the best of Westlake. Set in 1977, it’s a story very much set in that time but speaks to the delusion that has captured many today – that our societal and political problems can be fixed through violence. Donald E. Westlake is a true gift.

Donald E. Westlake — the gift that keeps on giving — wrote The Fugitive Pigeon in 1965, still fairly early on in his career as a writer but it should be ranked up near the top of the list.

Anthony Boucher of the New York Times Book Review described The Fugitive Pigeon as a “comedy of peril.” An excellent description.

Charlie Poole is innocently working for his mob-affiliated uncle Al, running a lightly-trafficked bar in the Canarsie section of the Bronx, until he suddenly finds himself the center of some decidedly undesirable attention — two mob hit men want to kill him!

Charlie’s efforts to figure out how such an error could have occurred and correct the mistake are classic Westlake. The adventure rolls from Canarsie into Manhattan, to Staten Island and Long Island and Queens.

For some reason all of Staten Island, even the most expensive parts like Princess Bay, has a faintly grubby look, as though everyone had given up years ago in the attempt to keep the place looking bright and cheerful. The most fiery red, exposed a brief while to the aura of Staten Island, fades into a pedestrian tone, modest and a little grimy. The Island, from end to end, has the same feeling as the ferries that service it.

Huguenot Avenue has this aura, in buckets. I walked along past just slightly seedy homes, and past just slightly scuffy fields and copses, and now and then a stretch of farmland, sometimes with dead cornstalks in faded cream rows. A couple of times i passed dirt roads, with rural delivery mailboxes on poles at the edge of the road.

Rural deliver mailboxes, in New York City!

I do not know whether Westlake was a fan of P.G. Wodehouse but there is much about this book that reminds me of Wodehouse.

Funny, well paced, with well drawn characters, it is indeed a “comedy of perils.”

Anne Waldron reading a book, 1912

Anne Waldron reading a book, 1912

Donald E. Westlake wrote under his own name as well as a variety of pseudonyms, one being Richard Stark. As Richard Stark, Westlake wrote a large number of hard crime stories about a professional criminal named Parker:

You’ve heard of the hero and the anti-hero…how about the non-hero? That’s how Parker, the main character in a series of novels by Richard Stark (AKA Donald E. Westlake) has been described. Parker is a thief, but he’s no charming cat burglar who playfully eludes the silly authorities. He’s a ruthless thug who does whatever it takes to get what he wants (usually money), and he doesn’t care about a living soul other than himself. Some of the things he does will be repellent (I hope) to readers.

So why read the stuff? Because Stark is an excellent writer and the Parker books are exciting and thought-provoking. Like all great crime fiction, the Parker novels give readers not just the story of a crime, but also a detailed look at the inner workings of a fascinating and original character.

Whether you are already a fan of Westlake or just like good crime fiction, go pay a visit to The Violent World of Parker.

The newly revamped site offers:

Blog: Musings on Parker, Stark, and Westlake, with occasional forays into other crime fiction. The latest news can be found here, along with whatever else I find interesting.

The Parker Novels: A list of the novels in order of publication, with links to a page for each novel. The page for each novel contains links to other goodies, such as cover galleries, detailed synopses, and introductions to out-of-print editions.

The “Parker” Movies: Movies based the Parker novels. There is a page for each movie, which includes a trailer if available, and a link to a gallery of pictures related to the film, including posters and stills.

The Grofield Novels: Spun off from the Parker series, these detail the adventures of Alan Grofield, the actor and thief first seen in The Score. The pages for each novel contain links to other goodies, such as cover galleries and detailed synopses.

Not Quite Parker (Print and Screen): References, pastiches, homages, ripoffs, inspirations, and remarkable similarities.

Extras: Great stuff that wouldn’t fit anywhere else. Small now but growing.

R.I.P.: Obituaries for and tributes to the great Donald E. Westlake (AKA Richard Stark). We miss you.

Ask The Parrot is the second Richard Stark novel I read, the eighteenth or nineteenth by Westlake.

I am delighted to learn that James Wolcott of Vanity Fair wrote a review of Ask The Parrot when it was published back in 2006.

One of the things I really enjoy about the Parker novels is the way they pick up where the previous one left off, because when you finish one you’re left saying, “Wow, did he recover the loot?” It is in the Stark novels that Dashiell Hammett‘s influence on Westlake is most apparent.

“Ask the Parrot,” is the sequel to the ominously titled “Nobody Runs Forever” (2004), a cliffhanger that left Parker fleeing police tracker dogs after an armored-car holdup went blooey. What Parker and his crew hadn’t calibrated was how the war on terror had shaved the margin of error. They reckoned they had exit time to spare after the heist. Instead, “law enforcement in recent years had come to expect an attack from somewhere outside the United States, that could hit anywhere at any time and strike any kind of target, and they’d geared up for it.” Worse, the integration of law-enforcement data collecting meant that once your alias and mug shot were tapped into the system, no set of stolen license plates or fake ID was foolproof. Hiding became harder, every move easier to trace. At the beginning of “Ask the Parrot,” Parker legs it up a hill not far from a small town called Pooley, only to find himself staring into the barrel of a hunting rifle pointed by Tom Lindahl, a loner with a grudge, a plan and a parrot that doesn’t have much to say for itself. Lindahl’s scheme involves the robbery of a local racetrack that’s done him grievous wrong, and that’s all we’re going to say about the plot, which has the usual high quotient of mishaps, reversals, double crosses, fatal surprises and automotive information. “Parker saw the gray Volkswagen Jetta start out of Pooley after Tom Lindahl’s Ford S.U.V., and fell in line behind it, in the Infiniti he’d taken from Brian Hopwood’s gas station.”

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